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- wa-2039675
- Tag der Veröffentlichung
- 23.04.2025
- Aktualisiert am
- 11.12.2025
- Verfahrensart
- Offener Wettbewerb
- Zulassungsbereich
-
Andere
- Teilnehmer
- Architekt*innen, Landschaftsarchitekt*innen, Innenarchitekt*innen, Student*innen, Enthusiast*innen, Ingenieur*innen, Künstler*innen, Kreative und alle, die sich für Architektur und Design interessieren.
- Beteiligung
- 48 Arbeiten
- Auslober
- TerraViva S.r.l., Mailand
- Abgabetermin
- 10.10.2025
- Jurysitzung
- 14.-27.10.2025
- Bekanntgabe
- 10.11.2025
1. Preis / 1st Prize
OVERTURE
Ho Chi Kwan, Ching Lam Chu, Hoi Wah Wan, Lok Yin Chiu, Tsz Wai Fu (Hong Kong
Ho Chi Kwan, Ching Lam Chu, Hoi Wah Wan, Lok Yin Chiu, Tsz Wai Fu (Hong Kong
2. Preis / 2nd Prize
Lychnidos ex Machina
Lars Westhoff (Germany)
Lars Westhoff (Germany)
3. Preis / 3rd Prize
TERRA
Anıl Sidar İldan (Germany)
Anıl Sidar İldan (Germany)
Golden Mention
MIRAGE
Nathan Ma (Hong Kong)
Nathan Ma (Hong Kong)
Golden Mention
Dualities
Lucy Dragancheva, Mariia Apostolova, Dimitriy Lotash, Georgii Chernyshov (Bulgaria - Russia - Kazakhstan)
Lucy Dragancheva, Mariia Apostolova, Dimitriy Lotash, Georgii Chernyshov (Bulgaria - Russia - Kazakhstan)
Golden Mention
Path of Lychnidos
Andrew Mattessich, Alexa Patel, Luis Cardona, Austin Scott, Zack Cundey (United States)
Andrew Mattessich, Alexa Patel, Luis Cardona, Austin Scott, Zack Cundey (United States)
Golden Mention
TIMELESS STAGE - An archeological park as a network of places, stories and views
Bruna Galbusera, Chiara Chendi, Laura Bruno (Italy)
Bruna Galbusera, Chiara Chendi, Laura Bruno (Italy)
Golden Mention
Hollow
Avisa Yazdani, Hamed Kamalzadeh, Mohammad Razavizadeh, Omid Golshan (United Kingdom - Iran)
Avisa Yazdani, Hamed Kamalzadeh, Mohammad Razavizadeh, Omid Golshan (United Kingdom - Iran)
Honorable Mention
Skenè Ohrid’s Ancient Theatre
Gianluca Dell’Abate, Gabriele Potenza (Italy)
Gianluca Dell’Abate, Gabriele Potenza (Italy)
Honorable Mention
Dualities in dialogue
Agostina Lelia Babaglio, Leonardo Hernán Araoz, Juana Prieto, Victoria Brea,
Paula Alejandra Klima, Valeria Pagani, Nora Ponce, Wanda Dalmau (Argentina)
Agostina Lelia Babaglio, Leonardo Hernán Araoz, Juana Prieto, Victoria Brea,
Paula Alejandra Klima, Valeria Pagani, Nora Ponce, Wanda Dalmau (Argentina)
Honorable Mention
Rebreathe
Wenlei Ma, Pu Cheng, Jingshuang Zhao, Shanshan Liu, Yuan Peng (China)
Wenlei Ma, Pu Cheng, Jingshuang Zhao, Shanshan Liu, Yuan Peng (China)
Honorable Mention
Distill Moments
Seongjin Park, Myeonghun Bae (Republic of Korea)
Seongjin Park, Myeonghun Bae (Republic of Korea)
Honorable Mention
Echoes in Ohrid: Reframed Theatre
Silvia Rueda Guerrero, Nicolas Velasco Gomez (Colombia)
Silvia Rueda Guerrero, Nicolas Velasco Gomez (Colombia)
Honorable Mention
Echoes of the City
Simón Henao Uribe, Maria Gómez Velasquez, Julian Torres Fonceca, Marta Gil Angel, Valentina Ramirez Gonzalez, Cristian Sanchéz García,
Diana Osorio Zuluaga, Sara Cardona Varela, Sebastian Diaz Arbelaez, Ricardo Garcia Cadavid, Alejandro Uribe Gomez (Colombia)
Simón Henao Uribe, Maria Gómez Velasquez, Julian Torres Fonceca, Marta Gil Angel, Valentina Ramirez Gonzalez, Cristian Sanchéz García,
Diana Osorio Zuluaga, Sara Cardona Varela, Sebastian Diaz Arbelaez, Ricardo Garcia Cadavid, Alejandro Uribe Gomez (Colombia)
Honorable Mention
ARCH, LOOP, FLOW
Yangli Hu, Yiyang Feng (United States)
Yangli Hu, Yiyang Feng (United States)
Honorable Mention
Interwoven Grounds
Meryem Kübra Uluç Tolba, Mariam Sadek (Turkey)
Meryem Kübra Uluç Tolba, Mariam Sadek (Turkey)
Honorable Mention
TO•POS
Thomas Feraud, Arnaud Gillet (France)
Thomas Feraud, Arnaud Gillet (France)
Honorable Mention
OHARID THEATRE
Mohamed Mahmoud, Ahmed Elgindy (Egypt)
Mohamed Mahmoud, Ahmed Elgindy (Egypt)
Verfahrensart
Offener Ideenwettbewerb
Wettbewerbsaufgabe
Inmitten des historischen Zentrums von Ohrid in Nordmazedonien lud der Wettbewerb Architekten und Designer dazu ein, eines der symbolträchtigsten Sehenswürdigkeiten der Stadt neu zu interpretieren. Die Herausforderung bestand darin, einen kohärenten architektonischen und landschaftlichen Eingriff zu schaffen, der die tiefen historischen Wurzeln des Ortes mit einem kühnen zeitgenössischen Design in Einklang bringt. Die Teilnehmer wurden ermutigt, eine Reihe von Möglichkeiten zu erkunden, von der Neugestaltung der Bühne und des Daches bis hin zur sensiblen Restaurierung des Zuschauerraums, wobei eine einheitliche Raumsprache beibehalten werden sollte, die die kulturelle Bedeutung des Theaters und seine ganzjährige Nutzbarkeit unterstreicht. Ziel des Wettbewerbs war es, dem alten Veranstaltungsort neues Leben einzuhauchen und ihn in einen aktiven und integrativen öffentlichen Raum zu verwandeln, der Vergangenheit und Gegenwart verbindet.
Competition assignment
Set within the historic heart of Ohrid, North Macedonia, the competition invited architects and designers, to reinterpret one of the city’s most emblematic landmarks. The challenge called for a cohesive architectural and landscape intervention capable of harmonizing the site’s deep historical roots with bold contemporary design. Participants were encouraged to explore a range of possibilities, from reimagining the stage and roof to sensitively restoring the seating area, all while maintaining a unified spatial language that enhances the theatre’s cultural relevance and year-round usability. The competition aimed to breathe new life into the ancient venue, transforming it into an active and inclusive public space that bridges past and present.
Jury
Tea Damjanovska (Skopje, North Macedonia) | Ss. Cyril & Methodius University
Kyriakos Chatziparaskevas (London, United Kingdom) | Heatherwick Studio
Merve Güleryüz Çohadar (Istanbul & Bodrum, Turkey) | Balvin Architects
René Daniels (Bogotá, Colombia) | We Are Size
Elena Cantoni (Berlin, Germany) | Studio Schwitalla
Simona Chingoska (Ohrid, North Macedonia) | Arhrid
Tianjian Li (New York, USA) | Grimshaw Architects
Elisa Donini (Rome, Italy) | Università La Sapienza
Weitere Informationen zu allen Gewinner*innen finden Sie unter /
More information about all winners can be found at:
www.terravivacompetitions.com/unesco-ancient-theatre-competition-results-2025
Offener Ideenwettbewerb
Wettbewerbsaufgabe
Inmitten des historischen Zentrums von Ohrid in Nordmazedonien lud der Wettbewerb Architekten und Designer dazu ein, eines der symbolträchtigsten Sehenswürdigkeiten der Stadt neu zu interpretieren. Die Herausforderung bestand darin, einen kohärenten architektonischen und landschaftlichen Eingriff zu schaffen, der die tiefen historischen Wurzeln des Ortes mit einem kühnen zeitgenössischen Design in Einklang bringt. Die Teilnehmer wurden ermutigt, eine Reihe von Möglichkeiten zu erkunden, von der Neugestaltung der Bühne und des Daches bis hin zur sensiblen Restaurierung des Zuschauerraums, wobei eine einheitliche Raumsprache beibehalten werden sollte, die die kulturelle Bedeutung des Theaters und seine ganzjährige Nutzbarkeit unterstreicht. Ziel des Wettbewerbs war es, dem alten Veranstaltungsort neues Leben einzuhauchen und ihn in einen aktiven und integrativen öffentlichen Raum zu verwandeln, der Vergangenheit und Gegenwart verbindet.
Competition assignment
Set within the historic heart of Ohrid, North Macedonia, the competition invited architects and designers, to reinterpret one of the city’s most emblematic landmarks. The challenge called for a cohesive architectural and landscape intervention capable of harmonizing the site’s deep historical roots with bold contemporary design. Participants were encouraged to explore a range of possibilities, from reimagining the stage and roof to sensitively restoring the seating area, all while maintaining a unified spatial language that enhances the theatre’s cultural relevance and year-round usability. The competition aimed to breathe new life into the ancient venue, transforming it into an active and inclusive public space that bridges past and present.
Jury
Tea Damjanovska (Skopje, North Macedonia) | Ss. Cyril & Methodius University
Kyriakos Chatziparaskevas (London, United Kingdom) | Heatherwick Studio
Merve Güleryüz Çohadar (Istanbul & Bodrum, Turkey) | Balvin Architects
René Daniels (Bogotá, Colombia) | We Are Size
Elena Cantoni (Berlin, Germany) | Studio Schwitalla
Simona Chingoska (Ohrid, North Macedonia) | Arhrid
Tianjian Li (New York, USA) | Grimshaw Architects
Elisa Donini (Rome, Italy) | Università La Sapienza
Weitere Informationen zu allen Gewinner*innen finden Sie unter /
More information about all winners can be found at:
www.terravivacompetitions.com/unesco-ancient-theatre-competition-results-2025
UNESCO ANCIENT THEATRE Competition
TerraViva launches UNESCO ANCIENT THEATRE, a new architecture competition which invites participants to design a unique space where past, present and future merge through architectural and urban continuity...
Prizes up to 10.000 € will be awarded to the winners selected by an international jury panel composed, among others, by Kyriakos Chatziparaskevas (Heatherwick Studio), René Daniels (We Are Size), Elena Cantoni (Studio Schwitalla) and Tianjian Li (Grimshaw Architects).
BRIEF
Projects will seek to unify the various elements of Ohrid's Ancient Theatre through a cohesive integration of architectural and landscape features - materials, textures and spatial relationships - enhancing the overall sense of harmony within the site.
Participants are invited to unleash their imagination and offer original responses to the specific needs of the site. Proposals ranging from conservative approaches to bold and innovative solutions will all be equally considered.
PRIZES
• 1st Prize: 5.000€
• 2nd Prize: 2.000€
• 3rd Prize: 1.000€
• Final Exhibition in Ohrid: Spring 2026
• 5 Golden Mentions: coupon for a free membership
• 10 Honorable Mentions: coupon for a free competition
• 30 Finalists: exhibited together with winners & mentions
GUIDELINES
The stage and its contemporary roof, the site’s more recent additions yet lacking in architectural merit, are to be completely reimagined. Participants are encouraged to redesign the structure from the ground up, as a bold new element capable of elevating the value of the entire complex. Similarly, the tiered seating area should be thoughtfully rehabilitated.
Finally, to ensure the functionality of the Theatre and its surrounding public space, both during events and throughout the year, designers are asked to design micro-architectural elements supporting the program and all outdoor areas.
REQUESTED MATERIAL
Two A1 panels (59,4 x 84,1 cm) landscape oriented + a brief text describing the proposal (250-500 words).
JURY
• Tea Damjanovska (Skopje, North Macedonia) | Ss. Cyril & Methodius University
• Kyriakos Chatziparaskevas (London, UK) | Heatherwick Studio
• Merve Güleryüz Çohadar (Istanbul, Türkiye) | Balvin Architects
• René Daniels (Bogotá, Colombia) | We Are Size
• Elena Cantoni (Berlin, Germany) | Studio Schwitalla
• Simona Chingoska (Ohrid, North Macedonia) | Arhrid
• Elisa Donini (Rome, Italy) | Università La Sapienza
• Tianjian Li (New York, USA) | Grimshaw Architects
SCHEDULE
• Competition Opening: April 23rd
• 59 € “Early” Registrations: April 23rd - July 4th
• 79 € “Standard” Registrations: July 4th - September 12th
• 109 € “Late” Registrations: September 12th - October 10th
• Submission Deadline: October 10th
• Winners Announcement: November 10th
• Exhibition Opening: Spring 2026
Download full brief here: www.terravivacompetitions.com/unesco-ancient-theatre-competition-2025/
REQUIREMENTS & ELIGIBILITY
The competition is open to architects, landscape designers, interior designers, students, enthusiasts, engineers, artists, makers and anyone interested in the fields of architecture and design. Participants can join the competition either individually or with a team.
More info at: www.terravivacompetitions.com
Contact: info@terravivacompetitions.com
Instagram: @terravivacompetitions
Facebook: Terraviva Competitions
LinkedIn: Terraviva Competitions
YouTube: @terravivacompetitions
TikTok: @terravivacompetitions
