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  • Cadogan Café
  • Cadogan Café
  • Cadogan Café
  • Cadogan Café
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain

Cadogan Café , London/ Vereinigtes Königreich

Architektur Wettbewerbs-Ergebnis

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Veröffentlicht als:

Dokumentation
Zwischenbericht
Weiterverfolgt
wa-ID
wa-2012803
Tag der Veröffentlichung
30.08.2012
Aktualisiert am
29.01.2020
Verfahrensart
Einladungswettbewerb
Beteiligung
147 Arbeiten
Koordination
Malcom Reading Consultants, London WC2A 3EG
Bekanntgabe
30.08.2012
Fertigstellung
Sommer 2019

Fertigstellung des Projekts - Sommer 2019

Images © James Brittain

Project Data

Start on site: June 2017
Completion date: Summer 2019
Gross (internal + external) floor area (building): 640m2
Gross (external) floor area (site): 960m2
Form of contract or procurement route: Traditional Lump sum
Construction cost: 5.2million pound

Client: Cadogan Estates
Architect: Nex—
Landscape Architect: Bradley Hole Schoenach BHSLA
Project Manager: Capital and Provincial
Cost consultant: Pre-Tender: Equals Consulting, Construction: TTPP
Structural Engineer: AKTII, London
MEP Engineer: E&M Tecnica, London
Lighting: DHA Design, London
Planning Consultant: Gerald Eve
Principal Designer: Nex—
Contractors: Westgreen


Nex-‘s new restaurant and roof garden in Chelsea’s Duke of York Square
Project Description

Designed for Cadogan, Nex-’s much anticipated restaurant building on Duke of York Square offers a new leisure destination in the heart of Chelsea, and forms the final element in the redevelopment of the square. Housed within the space is Vardo – a stylish new restaurant by the team behind Caravan Restaurants – and the building also incorporates a new rooftop garden, enhancing the public realm in the midst of the bustling King’s Road.

Nex- were commissioned by Cadogan following an international design competition that sought a new and distinctive restaurant which could be a focal point for the square. Nex- looked to add further value by creating a dynamic and sculptural building that respects and enhances its prestigious surroundings, while incorporating new public space and greenery.

Nex-’s point of departure was a Grade II listed wall – originally part of an earlier military asylum on the site but which stood slightly incongruously at the edge of the square. The new restaurant’s ambitious spiralling form is defined by a slender off-white concrete wall that curls upwards from the square, and conceptually offers a contemporary continuation of the historic wall. While large openings housing the main restaurant space can be seen as a classically-informed colonnade, its impressive form and sense of movement nevertheless give the restaurant an unmistakably contemporary character. As a piece of architecture that offers pleasing views when approached from all sides, the completed building is a graceful addition to the square with an intriguing and welcoming presence.

The sweeping curves of the large plate glass windows within the colonnade mirror the modernist façade of the Grade II* listed Peter Jones department store nearby, while pioneering technology continues that spirit of glazing experimentation. A bespoke steel frame prevented the need for horizonal mullions, thus preserving the purity of the building’s design. Moreover, the panels within the three wider openings are retractable, completely opening up the ground floor space during fine weather and allowing the restaurant to spill onto the surrounding Duke of York Square, while the roof continues to provide shade.

Although similar retraction systems have been installed outside the UK, all have used straight panels. This makes the restaurant the first example of a retractable curved glass system in the world, while celebrating a mechanism that is as strikingly simple as a weighted sash window, sliding down gracefully into a basement trench.

A gently curving staircase, contained within the outermost limb of the building’s spiral, leads to a stylish roof garden above the restaurant. Open freely to the public and accessed independently from the space below, this garden is a generous ‘gift’ to the neighbourhood where people can sit or spend time among the canopies of surrounding trees, raised up from the bustle of the busy square and road below. Timber decking offers a welcoming external finish to the roof garden, while large planters embedded within the spiralling shape of the building, see the introduction of diverse and luscious herbal planting, promoting biodiversity and creating a comfortable environment. Soft external lighting makes it a particularly effective space at night where people can find new connections with their historical surroundings.

Nex-‘s elegant and sensitive approach to the building’s exterior is also reflected in the interior spaces, as the ribbon-like outer shell culminates in the concrete service core at the heart of the restaurant, continuing the high-quality, minimalist finish. Within the space, delicate structural arches emphasise the airy spaciousness of the restaurant, and replicate the patterning found in the smooth, polished concrete edges of the external building form. This contemporary cohesion can also be seen in the refined choice of terrazzo flooring, a seamless continuation of the subtle material details found across the project.

The material-focused interior is complemented by the intricate craftsmanship found in the ceiling. Ash wood slats are carefully arranged to celebrate the building’s spiral form, adding a sense of movement to the space, and even following the path of the stairs down to the basement. The large glass windows flood the restaurant with natural light, while small spotlights embedded between the ceiling slats - alongside delicate fabric choices for the curtains - enhance the comfortable, warm glow within the open-plan space, and contrast with the tougher concrete and steel surfaces elsewhere.

Building upon Nex-‘s refined approach to the internal space, the interior fit-out of the restaurant to reflect its food concept was completed by Box 9 design and Rebecca Richwhite, in partnership with Laura Harper-Hinton, co-founder and creative director of Caravan Restaurants. The fit-out of the 100-cover restaurant - which is named after the beautiful Romani travelling wagons or ‘vardos’ of the 1800s - is inspired by the raw canvas of the vardo itself, including natural woods, stones, fabrics and plant life.  

Downstairs, an intimate private dining room continues the restaurant’s interior fit-out concept, featuring elements such as built-in seating, wood-panelled and quilted walls, and vintage lighting. The basement level also contains the restaurant kitchen, WCs and plant – including the trenches for the glazing mechanism where its large steel counterweights are housed.

Despite its relatively small scale, the restaurant is the result of an extraordinarily thoughtful design process. The glazing system alone amounted to around 2,500 hours of research and development by Nex- and manufacturers and experts across Europe, while the design for the precast concrete wall segments was tested many times to ensure its slender 150mm profile could carry the building’s loads. Attention to detail is evident throughout – in the polished reveals of the window openings, the layout of the radiating timber soffit in the restaurant, or the specially designed retracting cills that prevent objects falling into the glazing trench.

The restaurant uses a semi-passive system to maximise performance and minimise energy use. The public areas are designed to be naturally ventilated throughout the year – either with the windows partially or fully retracted in fine weather, or with a 50mm opening at the top at other times for natural ventilation. An air source heat pump supplies heating in colder months. The precast concrete structure with its planted roof garden has a high thermal mass, while the glazing system has good environmental credentials and exceptional airtightness levels thanks to a bespoke sealing system. With its dedication to sustainability, the building achieves BREEAM ‘Excellent’, in turn becoming one of the greenest restaurant buildings in London.

Alan Dempsey, director of Nex-, said:

"As a practice, we strive to create architecture that connects people to the places around them, and it has been a pleasure to work alongside Cadogan and Caravan in translating this vision into a new leisure destination in the heart of Chelsea. With the restaurant now opening its doors, and the public rooftop garden already full of life, we’re excited to see the how the building transforms the Duke of York Square, uniting the area’s rich heritage with a contemporary new dining space and unmissable public space overlooking the bustle of the King’s Road." 

Hugh Seaborn, Chief Executive of Cadogan, said:

“It is a privilege to be able to champion inspiring and innovative architecture. The new restaurant on Duke of York Square respects and complements its heritage surroundings, while representing the best in contemporary design. We’re delighted to welcome this new landmark for the King’s Road.”

The launch of VARDO within the Duke of York Restaurant comes in line with a culinary revival taking place across the King’s Road area. At the Sloane Square end, the first Costes Hotel outside of Paris will launch in 2020, next to the Royal Court Theatre, and will include a chic rooftop restaurant. In addition, the development at 196-222 King’s Road will include an art house cinema, rooftop restaurant and large new pub – joining The Cadogan Arms. These culinary hotspots add to the already rich offering of the area including Kutir, Adam Handling Chelsea, Rabbit, The Ivy Chelsea Garden, Sticks’n’Sushi and Bluebird, among many more.


>> Den vollständigen Bericht mit Fotos können Sie als PDF-Datei erwerben <<

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Juni 2014 – Zwischenbericht des Projektes

Das Architekturbüro NEX aus London haben den internationalen zweistufigen Wettbewerb als erste Sieger gewonnen und mit ihrem Entwurf die wichtigsten Bedingungen des Wettbewerbs (innovatives Design Nachhaltigkeit, auch in Bezug auf das historische Umfeld, sowie das Schaffen eines kulturellen Ortes für Anwohner und Besucher) voll erfüllt.
Im Anschluss an den Wettbewerb erhielten NEX zügig die Beauftragung für die wichtigsten Leistungsphasen und das Projekt schreitet gut voran. Wie uns das Büro mitteilte, rechnet man derzeit damit, dass es 2015 fertiggestellt werden soll.

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Fotos (© James Brittain) und Planmaterial des fertiggestellten Projekts :

  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • Site Plan
  • Ground Plan
  • Perspective Drawing
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • 1. Preis: NEX, London EC1M 6BP
    Copyright: James Brittain
  • Site Plan
  • Ground Plan
  • Perspective Drawing
  • 1. Preis: NEX, London EC1M 6BP
  • 1. Preis: NEX, London EC1M 6BP

1. Preis

NEX, London EC1M 6BP
Alan Dempsey
  • View from “Block A” office roof looking west over square
  • View from the Kings Road
  • View Cafe Interior floor west side
  • Site Plan
  • Basement Plan
  • Ground floor Plan
  • Section
  • View from “Block A” office roof looking west over square
  • View from the Kings Road
  • View Cafe Interior floor west side
  • Site Plan
  • Basement Plan
  • Ground floor Plan
  • Section

Finalist

Robin Snell and Partners, London
  • Finalist: Robin Snell and Partners, London
  • Finalist: Robin Snell and Partners, London

Finalist

Architecture 00:/ The Hub Westminster, First Floor, SW1Y 4TE London
  • Finalist: Architecture 00:/ The Hub Westminster, First Floor, SW1Y 4TE London
  • Finalist: Architecture 00:/ The Hub Westminster, First Floor, SW1Y 4TE London
  • Finalist: Architecture 00:/ The Hub Westminster, First Floor, SW1Y 4TE London
  • Finalist: Architecture 00:/ The Hub Westminster, First Floor, SW1Y 4TE London

Finalist

Carmody Groarke, London
  • Finalist: Carmody Groarke, London
  • Finalist: Carmody Groarke, London

Finalist

Duggan Morris Architects, London N1 7JQ
  • Finalist: Duggan Morris Architects, London N1 7JQ
  • Finalist: Duggan Morris Architects, London N1 7JQ

Finalist

Sarah Price Landscapes, London SE17 3LH
Pernilla Ohrstedt
  • Finalist: Sarah Price Landscapes, London SE17 3LH
  • Finalist: Sarah Price Landscapes, London SE17 3LH
Verfahrensart
internationaler, zweistufiger Wettbewerb

Wettbewerbsaufgabe
Von 2001 bis 2006 wurde die Militärkaserne „Duke of York“ von den Architekten Paul Davis und Partner zu einem neuen Platz mit gemischter Nutzung umgebaut, der zu einem bedeutenden Teil Chelseas geworden ist.
Die Auslober des Wettbewerbs, Cadogan Estate, suchen nun nach einer Lösung für ein Café, das angrenzend an die Saatchi Galerie platziert werden soll. Die Grundstücksfläche beträgt 25 x 15 m.
Die Schwerpunkte liegen auf innovativem Design, Nachhaltigkeit, auch in Bezug auf das historische Umfeld und das Schaffen eines kulturellen Orts für Anwohner und Besucher.
Das neue Café soll Platz für 100 Besucher (60 innen und 40 außen) konzipiert werden mit einer dynamischen Überdachung für Gäste im Außenbereich. Ein Untergeschoss für Essensbereitung, Lager, Sanitärbereich etc. soll im Café selbst mehr Platz schaffen und für Transparenz sorgen. Die Baukosten sind mit £ 2 mio. veranschlagt.

Competition assignment
The re-developed Duke of York Square shall get a new café with an innovative and sustainable design, creating a cultural place for locals and visitors. The site area of 25 x 15 m shall cater for 100 visitors (60 outside and 40 inside) with a dynamic covering for outside users, and a basement area for prep area, toilets, etc. to maximise the ground level seating and transparency.

Jury
Hugh Seaborn, Cadogan Estat
Timothy Coleridge, Royal Borough of Kensington and Chelsea
Paul Davis, Paul Davis + Partners
Nigel Hurst, Saatchi Gallery
Sarah Ichioka, The Architecture Foundation
Malcom Reading, Malcolm Reading Consultants

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